By Steve Hullfish
The purely advisor to the paintings and means of colour correction in response to the helpful wisdom of greater than a dozen of the pinnacle colorists on the earth. This publication permits you unparalleled entry to the way in which the masters of the craft process their work.
Containing many years of adventure colorist knowledge, this publication presents an realizing of what top-tier colorists search for in a picture and the way they be aware of what to do to make it nice. that includes concepts played in various colour correction software program purposes (DaVinci get to the bottom of, Apple colour, artificial Aperture's colour Finesse, and more), this publication turns what has lengthy been a misunderstood "black artwork" right into a set of talents that any colorist, editor, self sufficient filmmaker, or movement pix artist can start to grasp. filled with factors, information, and ideas that construct on every one other, you will find out how to:
* repair poorly uncovered pictures and pictures with colour casts
* create looks
* fit shots
* grasp basic and secondary colour correction techniques
* use colour correction to increase a story
This version includes
* An up to date DVD containing hours of video tutorials utilizing DaVinci unravel, prolonged interview transcripts and colour correction classes with the pro colorists featured within the e-book
* a new tutorial-based bankruptcy, with spouse venture records at the DVD, so that you can paintings in addition to the text
* New perception from extra specialist colorists, together with mythical colorists, Bob Festa, Stefan Sonnenfeld, and Pankaj Baipai, exhibiting you the 'hows' and 'whys' of every grade
Quick preview of The Art and Technique of Digital Color Correction PDF
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Additional resources for The Art and Technique of Digital Color Correction
Those are the colours that fall in the zone outlined via the fairway vector that has been chosen for correction (see Fig. 5-12). a hundred and forty colour Vector Isolation Fig. 5-13 the vectorscope, you will find the site of the golf green colour chips at the vectorscope. the 3 chosen colour chips fall in the zone at the vectorscope outlined by way of the fairway vector region at the Symphony UI. observe those comparable colour chips within the middle picture within the UI. the golf green colour chips at the moment are bluish crimson as the eco-friendly vector was once swung towards the blue-purple vector within the output vector. realize the numbers at the enter and output aspects. at the enter aspect, the numbers outline a selected measure of hue and volume of saturation which have been chosen. at the output part, you spot the recent attitude to which the hue has been swung and the truth that the saturation has been elevated. This saturation raise is additionally displayed visually by means of the vectorscope picture, which has the golf green vector pulled out a bit additional at the output part than the enter part. similar to a vectorscope, the gap from the heart of the vectorscope indicates the volume or strength of the saturation. To get a greater figuring out of this, it truly is attainable within the Symphony UI to isolate the vector you try to outline and to demonstrate the entire unselected vectors as grey. To make it extra transparent what we're choosing, we’ll change to the “isolate” mode. (Many different functions have the same mode. ) In determine 5-14, we unfold the enter vector, that could even be referred to as our “isolation” or “defined” or “qualified” vector, and circled the hue a section in order that we remoted merely the ground row of eco-friendly colour chips. become aware of the numbers for hue are just a little diverse than in our first instance. i wanted to rotate the hue a bit of in order that purely the colour chips within the backside row have been remoted. additionally become aware of the hue width quantity is way higher, which allowed us to choose all 9 of the ground colour chips rather than simply the 3 that have been chosen within the first instance. you will discover this visually at the left vectorscope-like snapshot within the UI, which has increased to hide CHAPTER five Secondary colour Correction Primer Fig. 5-14 a bigger element of the vectorscope. (The small dot with the circle round it in the midst of the selected vector is the keep watch over element for relocating the vector. ) you will see within the present window on the most sensible heart of the UI that every one of the colour chips on the backside were selected. If we rotate the hue one path or one other, we might deselect many of the chips alongside the ground and begin to choose chips going up one part or the opposite of the ChromaDuMonde chart. In determine 5-15, the vector used to be swung towards blue. realize that we haven’t replaced or affected the colours during this instance. we're easily defining a touch varied set of colours by way of rotating and spreading the hue. Symphony additionally has a suite of vectors known as customized vectors which are the vector choices you create in the event you use the syringe or eyedropper to select shades off of the resource clip.
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