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Additional resources for Reel to Reel (Phoenix Poets)
Sixty three Angel In video clips after they seem disguised as mumbling schizoids or dirty drunks, junkies, the drooling mongoloids, the stroke-addled baby-steppers, the digicam catches their angelic pedigree via how the eyes flash or the lips curl up divinely in a grin that in basic terms you, outdoor the tale, observing it, can see. outdoors the tale, in the street, within the alley among the auto lot and the movie show, you came upon him in a sticky pool of beer and vomit, walled in stench, bleary-eyed, and shouting, “Shit on you” as you, simply because there has been no opposite direction, stepped over him, head became, eyes watering, and as you handed, back he shouted, “Shit on you,” yet now within the dank air it virtually seemed like a pleased noise, an offended hallelujah, as though extremely joyful to have came across you there finally, you as you have been, as you couldn’t no longer be simply then as you walked away too fast, nonetheless listening to him, your Gabriel, your messenger, simply as he was once, no matter if he was once or no longer. sixty four The Open Door for Peggy Rabb What did it suggest whilst she stated finally, “All day i've been operating to the open door”— What door used to be it she ran to, commencing to what? From what? And did she succeed in it and get via? nobody used to be there along with her, it sort of feels, within or out, nobody she pointed out, no fixing mild or phantoms Calling in parental voices, urging her to come back, baby, run, and that she ran “all day”— was once that the enjoyment of having the ability now To run indirectly none people may well see, A bodiless unlock imagining a physique If purely to think how freed from it she used to be? Or was once it determined working, working to Get out of the nightmare room that was once all day Uncrossable, the door like a horizon A stride away with each stride she took? And if she reached it, operating, what did it suppose like Then, that second, being not anything however the movement of herself with no herself, Over that threshold into not anything else? sixty five Grace Grace, you advised me as soon as, will be a backyard fenced With making a song purely these inside of might understand. A backyard dense with songs That these outdoors it feel As faraway chicken cries fading again into silences, whereas voices inside of weave via voices in the course of the air Of an unchanging key Of being newly there the place you too are, now, Wil, If anyone is, Your voice someplace within it misplaced in choruses That I, from the place I stand, Forgive me, can’t pay attention in any respect, Your backyard for me much less A backyard than a black gap sixty six No gentle, no track, no sounds Of any sort get away, notwithstanding I continue listening, buddy, If just for your sake. sixty seven Spooky motion At A Distance She was once crafted by means of the sunshine Of being checked out through the an individual She imagined taking a look at her while he might examine her. He used to be satisfied to be that somebody, whoever he used to be, Crafted in a play Of lighting (like colour From partial absences Of light), so he should be, for as soon as, the type of guy who Makes a girl examine him that manner. The ethereal lighting Of the suitable stipulations Of her having the ability to be checked out purely within the approach she sought after Reshaped themselves Kaleidoscopically round the little helpless, temporary mess ups of his taking a look, sixty eight So that it virtually appeared, it doesn't matter what he did, He may do not anything To displease her, and the Shadowy figures past the sunshine, The ineptitudes, The sniggering Voices, the seeThrough masquerades Of sacrifice— What have been they however the persistent methods of the place there has been no mild among them To be visible via?
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